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Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator s intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist s intellectual universe.. The book takes into account both the material and ethical aspects of contemporary art, focusing on the enormous variety of techniques and materials used by contemporary artists, and their deterioration, it also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy.
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